Born: Monrovia Liberia, West Africa 1967
Lives: Philadelphia
M.S.W., Bryn Mawr College
Winner of Pennsylvania Council on the Arts Fellowship and several literary awards
Developed Sisters in Music and Poetry, Artistic Self-Enrichment Workshops with jazz guitarist and musician Monnette Sudler. Work with children and adults in schools, shelters, prisons and community venues
Self Published Mocha Melodies, Poems by Trapeta B. Mayson, currently in its second printing
Wrote Makin A Scene, a poetry play of sisters voices with Monnette Sudler; Play opened to a Standing-Room-Only audience.
Performed for Sonia Sanchez and Nikki Giovanni
Published in several anthologies including Drumvoices 2000, poems edited by Eugene Redmond with foreward by Maya Angelou
Received third place in the Toni Cade Bambara Prize for fiction
Completed second volume of poetry, two childrens stories; currently writing first book of fiction
Completed a poetry mural with an excerpt from a poem written by myself and community children in collaboration with the Philadelphia Mural Arts Program
Through the Lullaby Project, encouraged and assisted women in Peoples Emergency Shelter to write poems, rhymes and lullabies for their children
Performed in several hundred venues locally and nationally
Written several proposals and lesson plans for innovative programs for children and adults
Provide numerous volunteer hours in local programs for children and teens
Presented self-publishing workshops, written grants and planned and implemented conferences and artistic related trips for diverse populations
Simply put, I write about experiences mine and others, particularly those with little or no voice. I feel that poetry is essential. I believe that the word must be honored. Writers must read. Writers must be disciplined about their craft. I also believe that the written word should serve a purpose. It should inspire, provoke, educate or enhance. It must do more than just get dressed up and look pretty. I am a community centered artist. I have a responsibility to continue the tradition of the likes of Sonia Sanchez, Nikki Giovanni and Lucille Clifton, to name a few. The most gratifying thing that can happen to me as a writer is to have someone who is far removed from the typical artistic community tell me that they enjoy my work or that they learned to like and apppreciate the written word because of me. These are the moments I enjoy, when an ordinary person like myself learns to embrace a beautiful and precious art form. I stay in the schools, shelters and streets because this is where poetry is...with and for the people!
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Aunt Marlene
I wrote this poem for you cause
I know that when you learn that its for you
you gon throw your beautiful head way back
and laugh that deep throat kinda laugh
and slap you knees and say
that you aint no poem
that you aint nothing to write about
But the sparkle in your eyes will give you away
for you know your greatness
Youre made from that magic that Whitman and Shakespeare will never know
You are the rhythm in Sonias haiku
You are phenomenal and you rise for Angelou
Youre Barakas massive little self shouting sweet venom on the streets
Yeah, you Nikki, with a sermon in every poem
and like Lucille, you sometimes end too soon
Aunt Mar, our personal savior on earth
Always knowing what everybody needs
more graceful than the deified Diana
Martha Stewart dont have nothing on you
Aunt Mar
Always the one at the recitals, record releases, book signings
graduations, funerals and birthdays
Theres poetry in you lady
In your ham and cabbage and baked macaroni and cheese
Theres poetry in your impeccable style
Theres poetry in your acceptance of us all
We be coming to you broken
and you mold and craft
knead and praise us
scold and love us
and sometimes you be praying
You be praying that in time
we too will see our greatness
And like the poem that you are
You soothe us lady
You soothe us
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